Do you want to change audio pitch while recording a song or playing instruments? Are you confused how you can instantly change the pitch on your Android and iPhone? It is fun to change the pitch of a song.
In fact, you can change audio pitch on your phone directly with some of the apps. There are several pitch changer apps for both iPhone and Android that can help you to change audio pitch easily. In this article, we will let you know the best pitch changer app on iPhone and Android.
Part 1: Best Pitch Changer App on iPhone
1.Anytune
Adjusting the pitch with Anytune is just a piece of cake. It is a smooth transition that helps you to practice, transcribe, play, and perform easily. Anytune is an ultimate audio pitch changer app for the musicians, dancers, and singers to change audio pitch and select the perfect one. The features of Anytune free version are-
- Fade in or fade out music
- Directly play the songs from the library
- Adjust tempo and pitch individually without affecting one another
- Record and share
- Import audio from the videos
- For practice, mark and loop song sections
- Backup marks and settings to iCloud
2.Audipo
If you wish to make some modification to your audio files, try Audipo. It is a real-time tempo and pitch changer that lets you decrease or increase the speed and keys of the audio playback while you are listening to it. The features of Audipo are-
App To Lower Key Of Song Lyrics
- Available for both iPhone and Android users
- User-friendly and clear interface
- Get funny effects while lowering the pitch of the audio file
- Real-time modification of pitch and tempo allowed
- Advanced audio control for long audios
- Add marks anywhere in your audio tracks
3.Audio Speed Changer Lite
Do you wish to slow down the music or change audio pitch? Audio Speed Changer Lite is an easy and simple pitch changer app that lets you mark the music area you wish to play and modify the pitch and tempo instantly. The features of this audio pitch changer are-
- Modify the pitch and tempo instantly and independently
- Various filters
- Simple and easy interface
- Import formats like mp3, m4a, aac, ogg, wav,
- Export to wav and mp3
4.TimePitch
Create and share music with TimePitch as it is an easy to use app that also allows you to change the tempo and pitch of the audio file without any complications. The features of TimePitch include-
- Easy and simple to use even for the beginners
- Free for download and use
- Pitch and tempo sliders to change audio pitch and speed
- Select songs from the music library
5.SpeedPitch
Amazingly professional audio editing software, SpeedPitch is an easy app with a range of features. Just load a song from your music library and get going. The features of SpeedPitch are-
- Free app with a simple interface
- Slow down music by decreasing tempo
- Uncomplicated pitch changer app that let you change pitch without disturbing the tempo
- Use the iPod library to choose your song
Part 2: Best Pitch Changer App on Android
6.Karaoke Pitch Changer
If you are a Karaoke Singer, this is the right pitch changer app for you. It is a real-time platform that lets you easily change the tempo and pitch of your chosen audio file. The features of Karaoke Pitch Changer are-
- Transform tempo and pitch to mp3 Karaoke
- Both video and audio pitch changer
- Audio and video tempo changer
- Karaoke video editor
- Real-time pitch and tempo change while video karaoke
7.Music Speed Changer
Are you looking forward to adjusting the audio tempo and pitch together real-time? Music Speed Changer is an ultimate audio pitch changer and tempo changer app that is hard to ignore. You can rock out your favorite song at 130% or listen to the audio books at a fast-pace or practice at different tuning. The features of this pitch changer app are-
- Change the pitch of the audio without disturbing the tempo real-time
- Change the tempo of the audio without changing the pitch real-time
- Adjust both tempo and speed at the same time
- Save the changed audio file in mp3 format
- Seamlessly loop audio sections
8.Audipo
Audipo is a valuable and handy pitch changer app for music practice, music dictation, radio player, audiobook player, language study, listening to long audio, and more. Audipo lets you mark the audio track and also name it so that only the marked area can be played repeatedly. The features of this pitch changer app are-
- You can change audio pitch independently without changing the tempo
- Pitch shifting is not required while changing the speed
- Advanced audio controls for long audio tracks
- Mark the audio track
9.Riff Studio
Riff Studio, used for music production is a professional studio app that lets you enjoy remixing the songs, composing music, adjust tracks, etc. The features of Riff Studio are-
- Use the instrument to change audio files
- Without affecting the song, change the speed and pitch
- Free pitch changer app for Android users
- Basically designed for the professionals but the beginners can also change the ready music
10.Up Tempo
With clear visuals and easy controls, Up Tempo can be used to change the tempo and pitch of the audio file on your Android device without compromising on its accurateness. The features of this pitch changer are-
- Change the pitch down and up without compromising on the quality or tempo
- Change the tempo of the audio file
- Set precise loop points
- Export and share adjusted song in m4a format
- Play the audio with real-time pitch and tempo adjusted changes instantly
Conclusion
There might be various situations when you may need to change the audio pitch of a particular song. Possibly, you wish to add the pitch shift file or a slowed down sound into the video. Maybe you want a lower pitch for your performance. Whatever it might be, pitch changer apps come as a great help as it can change the pitch of the song without changing its tempo. Try the above-mentioned pitch changer app to change the pitch of your song on your Android and iPhone devices.
![Pitch changer app iphone Pitch changer app iphone](/uploads/1/2/3/7/123703572/513269962.jpg)
What is a simple way to accomplish transposing a song from one key to another key?
In other words if I am looking at a song written in the key of C and can't sing it in that key and I want to transpose it to a different key, how would I go about finding the correct melody notes for the new key so that the melody stays the same - only in a different key where I can sing it?
Rockin Cowboy
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3 Answers
Once a melody is composed and written in one key using the notes from said key's corresponding scale, that same melody can then be 'transposed' (converted) to any other key that exist in Western music.
The process of composing any piece of music follows a strict methodology. Below I will explain the process of transposing any piece of music from one key to another.
If a composition is based on the C Major scale it is likely that all of the notes (exceptions are possible) will be found in the key of C. Each note in a given key can be reduced to and defined by what we call corresponding scale degrees. Each diatonic scale in Western Music is comprised of 7 notes.
The C Major scale for example contains the following 7 notes - C D E F G A and B (all natural - no sharps or flats). Each note can be defined as representing a particular scale degree. Thus in the foregoing example based on C Major - the First Scale Degree is C. The Second Scale Degree is D. The Third scale degree is E and so on.
The C Major scale for example contains the following 7 notes - C D E F G A and B (all natural - no sharps or flats). Each note can be defined as representing a particular scale degree. Thus in the foregoing example based on C Major - the First Scale Degree is C. The Second Scale Degree is D. The Third scale degree is E and so on.
The D Major scale contains these seven notes: D E F# G A B and C#. Just as in the C Major scale - each of the seven notes in the D Major scale can be referred to by their scale degree. D = 1st - E = 2nd - F# = 3rd and so on.
So to transpose a melody from C Major to D Major you would look at each note in the melody (written in C Major) and determine its scale degree. Then to transpose that melody to D Major you would simply substitute the note in D Major that corresponded to the same scale degree.
For example if one of the notes in your C Major based melody was E (third scale degree of C Major) the corresponding note in D Major would be F# (third scale degree of D Major).
So to transpose a melody from C Major to D Major you would look at each note in the melody (written in C Major) and determine its scale degree. Then to transpose that melody to D Major you would simply substitute the note in D Major that corresponded to the same scale degree.
For example if one of the notes in your C Major based melody was E (third scale degree of C Major) the corresponding note in D Major would be F# (third scale degree of D Major).
Using this systematic process you can transpose (convert) any melody from one key to any other key. The methodology is exactly the same regardless of the keys involved. I should point out that when transposing from a Major key - you will always transpose to another Major key to maintain the essence of the composition. You can't change a composition from Major to Minor or vice versa and still call it transposing.
If your melody contains an 'accidental' (note from outside the key) you would modify the corresponding note in your transposition by applying the same value of deviation to the note matching the altered scale degree of the new key. In other words if your original melody was in C Major and one of the notes was F sharp you would 'sharpen' the fourth degree note of whatever key you were transposing to. By 'sharpen' I mean you would raise its pitch value by one semitone. So if the corresponding note was a flat (ie. B flat is 4th scale degree of the key of F Major) you would 'sharpen' it by one half step (one semitone) to a natural (B Natural in the case of the B Flat in the key of F Major).
To help visualize how the Major Scales line up numerically with one another and to aid in your own transpositions you might find the chart below (from http://scheater5.blogspot.com) useful. Note this chart is for Major Scales only. You can find similar charts on line for Minor Scales.
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Following on from Rockin's excellent answer, it's apparent that KNOWING your keys and their respective signatures ('sharps and flats') is going to make the process much quicker to execute. On guitar, when using tunes that don't use open strings, the process won't use quite so much brain power. Just as a capo can help change key, you can do the same sort of thing. To move from, say, C to Eb, which is 3 semitones or a tone and a half, represented on guitar by 3 frets, merely play everything three frets higher than the original. To move to E (4 frets higher than C), shift everything up 4 frets. Provided there is enough room to manoeuvre, you could do the same plan downwards, e.g. C-Bb move all down 2 frets. No need to know what the notes are called, even!
On a slightly different tack, check out the NNS - Nashville Number System, which was conceived for chord charts as much as anything else. If your piece in C has a sequence C-G-F-C, then it translates to I-V-IV-I ( prefer Roman numerals) or 1-5-4-1. Knowing your chord families in other keys (vital!) means that the same sequence in E will be E-B-A-E. Simple!
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You change the key to the interval you want to transpose. With this new key, you can just change the notes a number of spaces up or down and they will all be the same interval.
What do I mean by this? Let me further elaborate trough the use of an example. Let's say you want to transpose a passage that is in C major a Major third up. You use the key that is that interval ( A major third up from C --> E) and then just raises the notes three spaces on the staff.
This will conveniently make all the new notes the desired interval from the given passage.
So, for instance, you have this.
To transpose A major third in the new key you would now have this.
And now as you see all the new notes are a Major third up from the example. ( G -B, B - D#, D- F#, F - A, E- G#, C - E, A - C#, E - G#)
Finally just remember if there are any notes that are raised or lowered they still have to be reflected in your new passage for the intervals to be correct. In other words, don't discard sharps or flats.
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From KBIC International Ltd: You can remove the vocal of a song, make a song faster or slower, and change the key of a song with this app. The app is good for performers who cannot find the right music for their key, want a faster or slower version of the music, or cannot find the music of a song with no vocals. And for others, it is just HILARIOUS to hear your favorite song in a different tempo or key. Two simple steps in the app: 1. Select a song from your iTunes library 2. After the song is processed, you can then turn on and off vocals with the switch, change the speed and the pitch of the song with the sliders. Dirac Time Stretch/Pitch Shift technology is licensed from the DSP Dimension / Stephan M. Bernsee. This is a free version of Music Factory - Change key, change tempo and remove vocal.
Find, download, and install iOS apps safely from the App Store
I've long had this question. I know some music theory, but I can only get a vague idea as to the progression of keys when moving the capo down a guitar's neck. I'm fairly certain that the guitar is in the key of E minor when no capo is used, but that may be wrong. When playing some songs, the instructions for capo position aren't something like 'Capo on fret 3', but, instead, 'Capo: C Major' or 'Key: C Major'. I've tried to find a description of this online, but the closest things that I've been able to find are descriptions of how to transpose chords to different keys. Any help is appreciated, and I wouldn't be surprised if I had some gross conceptual error.
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2 Answers
The capo allows you to play a song in a particular key using chord shapes and formations from a different key. For example if you like to use the open (first position) chords in the key of G major such as G, C, D, Em and Am but want to sing a song in the key of A, you can put a capo on the second fret and play the chords as if you were playing in the key of G.
So when you play a G chord with the capo on the 2nd fret, it will actually be an A chord. It will look like a G chord but sound like an A chord.
To determine what key you will be playing in based on a given capo position, take the key corresponding to the chord shapes you want to play and then add a semitone or half step for each fret position. Note that there is only a half step or one semi-tone between E and F and between B and C.
So if you play chords from the G set and you put the Capo on the 1st fret - you take G and add one half step (one semi-tone). G plus a semitone = Ab or G# (same note on a guitar). If capo goes on second fret add two semitones - G plus 2 semitones = A. So playing a G chord formation with the capo on second fret, gives you a chord that sounds like (and technically is) an A chord. With capo on third fret - if you play chords for key of G - take G and add 3 semitones and you get Bb or A#. G-(+1Ab)-(+2A)-(+3 = Bb).
If you put the capo on the first fret and play chords as if in the key of C (such as C, F & G) you take C and add 1 semitone and get C# or Db (same note - two different names depending on the frame of reference). If the capo is on 2nd fret and you play a C chord it will sound as (and technically be) a D chord. C plus 1 semitone = C# - C plus 2 semitones (capo on 2nd fret) = D.
This formula will work for any capo position and any chord set.Another way to approach using a capo to transpose is to first decide what chord set you want to use. Then decide what key you want the song to be in. Then count the semitones between the two keys and that will tell you the fret to put the capo on. So if you want to play chords that are in G but want the song to be in the key of A - start with G (the root of the key of G that you want to play the chord formations from) and count to A in an ascending direction - and you get two. G-(+1G#)-(+2 = A).
Sometimes you will find that this approach puts your capo on a fret too close to the body to play comfortably. For example - if you wanted to use G shaped chords to play in the key of E you would go G-G#(1)-A(2)-A#(3)-B(4)-C(5)-C#(6)-D(7)-D#(8) - E = 9th fret.
Ninth fret leaves very little room to maneuver so you could look at alternative chord sets (if for some reason you did not want to play the chords from the E set of chords). For example - it's easy to see that the distance between D and E is much closer than between G and E. So if we want to play chords from the D set but play in the key of E - we start with D and count the steps to E and we get 2 so we put the capo on the 2nd fret and play a D chord and it comes out as an E chord. D plus two semitones equals E.
One easy way to calculate this if you have a piano keyboard (or picture of one) handy, is to start with the key that corresponds to the chord set you want to play and start going up the piano keys until you get to the key you want to play in. The number of keys you count in order (black and white keys) ending with the key you want the song to sound in - gives you the capo position.
Or if you don't want to do all the counting, just print this chart.
Rockin CowboyRockin Cowboy21.1k1414 gold badges5151 silver badges143143 bronze badges
It doesn't quite work like that. The guitar doesn't exactly have a single key that its 'in'. Instead it has chords that are easier and more difficult to play. Some relatively easy ones (sticking with just major chords) include C, G, D, A, and E, which allows you to play in quite a few different keys. If you were playing in the key of D, you'd likely see a lot of G, D, and A chords. If you were playing in A, you'd probably see a lot of D, A, and E chords. Add a few more chords in there, along with minors and sevenths, and you can get quite a range of potential keys, even without using a capo.
What a capo does is transpose up whatever you play by a certain number of half steps, equal to the number of the fret the capo is on.
So, for example, a capo on the first fret will make all chords one half step higher. A G chord becomes an A♭, and A chord becomes a B♭, and E chord becomes an F, and etc.. If you place a capo on the second fret, they all get transposed up by two half steps. So your G and A chords would become A and B chords, respectively.
Notice the redundancy: you can still play an A chord, but you have to finger it as a G chord. This can get quickly get confusing if you're not used to thinking that way (or even if you are), so when a piece is to be capo'd, the written chords are are the shape that you finger, not what the chord actually sounds like after being transposed by the capo.
As an example, lets say that you want to play a piece in C major, and you know what the actual chords are. It probably has a lot of F's, C's, and G's in it. This is playable without a capo, although the F is a difficult barre chord. What you can do, is play it in a lower key (so we have to count down backwards), and then use the capo to transpose everything up. In this case, if you were to use a capo on the first fret, you'd have to play E, B, and F&sharp, which is more difficult. At the second fret, you'd have to play an E♭, B♭, and F, which are terrible guitar chords. At the third fret, you get to play D, A, and E, which are all easy guitar chords. So you could transpose the written-down chords to A, and then use a capo to transpose the actual pitches back up to C. But this doesn't mean that the third fret 'corresponds to' the key of C. It's just the chords you play in the key of A are significantly easier to play than the chords in C, and A is three half steps below C.
I hope that all made sense..
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protected by ShevliaskovicDec 2 '15 at 10:04
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